Vallée discusses why it is important to him to be able to capture unique camera angles, even when they partially obscure the actor, as these "imperfections" can draw audiences deeper into the story.

Vallée describes shooting a scene on Wild that is emblematic of his style, which includes utilizing natural light as much as possible.

DGA Members, click here for information about the 2025 DGA Annual Membership Meetings to be held in Los Angeles on Wednesday, ...

On April 9, DGA members gathered in the Guild’s Los Angeles Theater for the special event, The Craft of the Director: Jon M. Chu, hosted by the Guild’s Special Projects Committee. The evening was ...

The DGA Foundation thanks our 2017 Golf and Tennis Tournament Sponsors Log in as a Member to see upcoming events, screenings, and meetings.

See photos from 68th Annual DGA Awards Arrivals and Cocktail reception. 68th Annual DGA Awards Nominee Breakfast Photo Gallery See photos from 68th Annual DGA Awards Nominee Breakfast.

See photos from 69th Annual DGA Awards Arrivals and Cocktail reception. 69th Annual DGA Awards Nominee Breakfast Photo Gallery See photos from 69th Annual DGA Awards Nominee Breakfast.

Ernest Dickerson was born in Newark, New Jersey in 1951. Dickerson initially studied architecture at his alma mater Howard University. However, he still nurtured a love for film and photography ...

Richard Correll was born in Los Angeles, California in 1948 and began his entertainment industry career as a child actor in shows such as The Bob Cummings Show, Leave it to Beaver and Lassie. By the ...

Winter 2015 A Really Big Show With the 13th-century adventures of Marco Polo, a skilled group of directors gets a chance to make the kind of grand-scale epic rarely seen today.But not for ...

In 1936, a small group of outstanding motion picture filmmakers, hoping to achieve proper recognition and creative freedom for directors, created the Screen Directors’ Guild (the forerunner of today’s ...

Rod Holcomb studied film at San Francisco State, having been influenced by the visual look of French and Italian directors of the 1960s. After making several student films on his 16 mm camera, Holcomb ...