DGA Members, click here for information about the 2025 DGA Annual Membership Meetings to be held in Los Angeles on Wednesday, ...

Vallée discusses why it is important to him to be able to capture unique camera angles, even when they partially obscure the actor, as these "imperfections" can draw audiences deeper into the story.

Vallée describes shooting a scene on Wild that is emblematic of his style, which includes utilizing natural light as much as possible.

Associate Director Carol M. Larson talks about the function of central videotape and its importance to the broadcast.

Stage Manager Leon Robinson discusses his catalogue of work, strategies that have garnered success in his position and his opinions on an ever-changing industry. Leon Robinson was born in Los Angeles, ...

Director Bethany Rooney describes her process of outlining a script during prep to ensure that she understands every dramatic beat before a shoot.

Kantu Lentz is a Director with credits such as Fire Country and Chicago Fire. She has been a DGA member since 2021.

On April 9, DGA members gathered in the Guild’s Los Angeles Theater for the special event, The Craft of the Director: Jon M. Chu, hosted by the Guild’s Special Projects Committee. The evening was ...

Michael Pressman was born in New York City in 1950. His parents, David and Sasha Pressman, were successful artists on Broadway, so a love of performance was instilled in him from a young age. He ...

Del Toro suggests that directors observe first when rehearsing with actors and allow them to follow their instincts.

Director Jennifer Morrison speaks about the unique experience of directing the Democratic National Convention in 2008.

Ken Fuchs shares his excitement for working on Shark Tank, which he describes as more than a show, but a platform.