The sub-title “Fragments of a Film Shot in 1964 in Black and White” implies that Une Femme Mariée is going to be more impressionistic than it actually is. Despite the cuts and sudden juxtapositions ...
In 1964, shortly after the premiere of Bande à Part at Cannes, Jean-Luc Godard approached Columbia Pictures with a proposition that must have seemed quite a turn: He wanted to make a melodrama about a ...
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