VideoKodachrome: You gave us those nice, bright colors. Despite Paul Simon's demands that Kodak do otherwise, the now-bankrupt photography company actually took your Kodachrome away in 2009 after ...

Back in 1973, Simon released his third studio album with There Goes Rhymin’ Simon. Among the songs featured on the album was “Kodachrome.” Named after the reversal film produced by Kodak ...

They really are taking Kodachrome away, this time for good. The film, memorialized in Paul Simon's 1973 song and used by countless photographers to document the late 20th century, won't be ...

Simon crooned about it in 1973 in the aptly titled "Kodachrome." "They give us those nice bright colors. They give us the greens of summers. Makes you think all the world's a sunny day," he sang. " ...

Simon crooned about it in 1973 in the aptly titled "Kodachrome." "They give us those nice bright colors. They give us the greens of summers. Makes you think all the world's a sunny day," he sang. " ...

Paul Simon sang its praises. The U.S. government named a national park after it. It deserves nothing less. Kodachrome is dead. Long live Kodachrome.

"I have just been saving it for a special time and this is a special time," he said. For 75 years, Kodachrome has given millions of us those "nice bright colors" referred to in Paul Simon's 1973 hit.

Kodachrome was an enormous hit because of how it vividly reproduced colors. A State Park in Utah, Kodachrome Basin, was even named after the film. And in 1973, Paul Simon sang this ode to Kodachrome.

A Paul Simon classic has been given the Muppets treatment and it’s a redo so impossibly charming that you will immediately burst into a beam of pure delighted energy once its done.

Kodachrome's sales peaked in the 1950s and 1960s but now make up less than one percent of Kodak's sales. So, sorry Paul Simon, looks like mama got her way.

Kodachrome Fades to Black By Richard B. Woodward June 30, 2009 12:01 am ET Share ...

Guttman used Kodachrome for 16 years, until about 1990, before switching to Kodak’s more modern Ektachrome film, and he calls it “the visual crib that I was nurtured in.” ...