In 1961, Hannah Arendt travels to Jerusalem to cover the trial of Nazi criminal Adolf Eichmann for «The New Yorker». Instead of a monster, she sees a nobody in the courtroom. She processes this ...
“Can a filmmaker make a biopic with a book as its protagonist?” asks Saul Austerlitz in his review of Hannah Arendt (2012) for The New Republic. This is the challenge of the latest film from ...
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