Picture Hannibal Lecter’s unnerving state in Jonathan Demme’s “The Silence of the Lambs,” the intense eye contact of Sergio Leone’s “The Good, the Bad, and The Ugly,” the intimate gazes in Barry ...
When you remember Clark Gable telling Vivien Leigh that, frankly, he doesn’t give a damn in “Gone With the Wind,” or Daniel Kaluuya getting sent to the “sunken place” in “Get Out,” you’re picturing a ...
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