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New York Classical Review
New York Classical Review » Blog Archive » Nelson Freir…
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Philharmonic’s kaleidoscopic program raises doubts abou…
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At Carnegie opening, Mussorgsky gets lost in tran…
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Back to the future: Third Coast Percussion winningly melds …
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Taiwan Philharmonic joins forces with Chamber Music …
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Pianist Debargue shows world-class skills in Carnegi…
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Music, poetry and Spanish history in graceful motion in …
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Met’s “Bohème” returns with Nézet-Séguin at the helm
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New York Classical Review
New York Classical Review » Blog Archive » Netrebko tea…
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Wang triumphs in all-Rachmaninoff, all-at-once C…
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“Fedora” returns to Met after 25 years in a sumptuous, ric…
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Met’s “Aida” returns in worthy style for final run of Frisell’s ...
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Midori delivers solo Bach and the moderns at Zankel Hall
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An ideal Mozart cast lifts a not-ideal staging in Met’s new “…
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Met’s 2024-25 season will bring new “Aida” and “Salom…
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Wang triumphs in all-Rachmaninoff, all-at-once C…
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The art that conceals art with Emanuel Ax, Schubert and …
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Musical worlds coalesce and diverge in Wang’s Carnegie …
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Kutasi’s Amneris provides the highlights in Met’s uneven ...
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Tenor, conductor strike dramatic sparks in Met’s “Tu…
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Teatro Real Orchestra brings dazzle and Spanish flair to …
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Twelfth Night and soloists bring youthful spark and a ro…
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Met’s “Butterfly” returns to the nest for extended season run
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Musical worlds coalesce and diverge in Wang’s Carnegie …
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Han Chen’s remarkable playing equal to the genius …
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“X” fires Met stage with compelling character portrait…
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A strong Met cast vies with the structural problems of Blanc…
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Beethoven’s Ninth gets a brisk star turn from Zander, Bosto…
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Teatro Real Orchestra brings dazzle and Spanish flair to …
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Superb singing in “Rigoletto” highlights return of Met’s We…
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Welser-Möst recombines Berg and Schubert in Cleveland …
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Met forces bring fresh drama and expressive depth to Ver…
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Somlai’s dazzling Beethoven lights up American Classica…
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